Les anciens pigeonniers

0:00–0:14, field only, outdoor air, natural birds, no human voice

0:14–0:38, CAA, low stone resonance enters, subtle pulse develops

GCG, air moving across the stereo field

⌘ short residues between attacks

0:38–1:02, AGT, first human breath voice, close, physical, rhythm 4+3+8

i—ou—u

AGT returns fragmented, distributed between breath and low body tone

i—

ou—

1:02–1:28, CGT, stone resonance moves into the body, pulse becomes clearer, rhythm 2+3+8

kə—o—o

short instrumental continuation, CAA and GCG crossing without full voice

1:28–1:56, ⬡ co-presence, bird left, body centre, stone right, independent layers

organic coded percussion grows from breath, wood and mineral transients

AGT fragments answer CGT fragments without forming the full phrase

i—

o—

kə—

o—

1:56–2:26, ∞ generational expansion, CAA and CGT return at multiple temporal scales

first layer close and rhythmic

second layer slower and more distant

third layer broad, low and nearly disappearing

mm—

o—

mm—

2:26–2:52, GCG circulation section, air and rhythm move more actively

body pulse becomes the strongest point so far

brief fragments of AGT and TAG phonation appear separately, never consecutively

i—ou

ti—

short breath gap

2:52–3:18, preparation of the vocal threshold, layers gradually converge

CAA low

CGT inside the body

GCG moving outward

percussion simplifies

⌾ voice becomes fully open

3:18–3:30, single complete rising statement, AGT → CGT → TAG

i—ou

ko

ti

3:30–3:38, 〰 final vowel spreads into the air

⌘ faint residue, generated layers disappear

3:38–3:52, field only, human voice absent, natural birds and outdoor air remain, no final chord