Profondeurs de Nous \u00e0 Ilyra rassemble une nouvelle \u00e9tape des recherches men\u00e9es autour du Kairophonographe et de la kairophonographie.
\nJe pars d\u2019un lieu, d\u2019un moment et de ce qui s\u2019y passe r\u00e9ellement : eau, oiseaux, insectes, vent, orage, pierres, pas, souffle, objets, voix, r\u00e9sonances. Une partie des mati\u00e8res de cet ensemble provient de prises de sons r\u00e9alis\u00e9es en juillet et ao\u00fbt 2026.
\nJ\u2019\u00e9coute ensuite ces sons comme des partitions possibles.
\nLe rythme d\u2019une pluie ou des cigales peut devenir architecture musicale. Une pierre transmet son attaque \u00e0 une voix. Le roulement d\u2019un orage devient mouvement harmonique. Une rivi\u00e8re engendre un courant musical. Un pas est re\u00e7u par un lieu, transform\u00e9, puis revient sous une autre forme.
\nLes sons traversent plusieurs \u00e9tats tout en conservant la m\u00e9moire de leur origine.
\nLa kairophonographie prend la forme d\u2019une cr\u00e9ation musicale hybride, m\u00ealant prises de sons r\u00e9els, composition, voix, instruments acoustiques, transformations sonores, traitements \u00e9lectroniques et processus d\u00e9velopp\u00e9s autour du Kairophonographe et de la Musique ADN.
\nLe Passage Vivant et Parmi les choses sont des cr\u00e9ations nouvelles et exclusives de cet ensemble.
\n\u00c0 travers ces musiques hybrides se dessine progressivement une musique o\u00f9 lieux, humains, animaux, mati\u00e8res, m\u00e9t\u00e9orologie et m\u00e9moire participent \u00e0 une m\u00eame composition vivante.
\n\u00c9couter un lieu comme une partition possible.
\nCr\u00e9ation musicale hybride : Carlos Chapman \/ Alouma Aves
\nKairophonographe \u2014 Kairophonographie \u2014 Musique ADN
\nRadio du Futur, 2026<\/p>\n","protected":false},"excerpt":{"rendered":"
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