### Pr\u00e9sentation de l\u2019album
\nCet album commence comme une orientation.
\nQuelque part entre **\u6307\u5357\u9488 \u2014 The Compass** et un r\u00eave qui semble avoir pr\u00e9c\u00e9d\u00e9 le monde \u2014 **The Dream Was Already World** \u2014 une direction appara\u00eet. Elle passe par l\u2019eau, les pierres, les arbres, les voix, les langues et cette pulsation presque imperceptible que **Le Tac-Tac de la Vie** cherche \u00e0 rendre audible.
\nAu centre circule une intuition : il existe un **C\u0153ur Sacr\u00e9 de Toute Chose**, un lieu mobile o\u00f9 les formes se rencontrent, se transforment et apprennent les unes des autres.
\nAlors **la pierre apprend l\u2019eau**.
\nPuis **la pierre r\u00e9pond \u00e0 l\u2019eau**.
\nLa mati\u00e8re devient relation.
\nCertaines pi\u00e8ces poussent cette recherche jusque dans la structure m\u00eame de la voix. **Dissolution (ADN)** traverse les phon\u00e8mes, les r\u00e9p\u00e9titions, le souffle et les fragments de langage comme une mati\u00e8re musicale en recomposition. Ailleurs, plusieurs langues humaines et imagin\u00e9es se croisent, le fran\u00e7ais rejoint l\u2019anglais, les syllabes deviennent rythme, et la kairophonie transforme le moment, le paysage et la sensation en architecture sonore.
\nLe chemin rejoint ensuite les arbres. **La S\u00e8ve des Peupliers** prolonge une histoire commenc\u00e9e avec *La Chanson des Peupliers* : \u00e9couter ce qui monte depuis le sol, ce qui circule entre les racines, les branches, le vent et celles et ceux qui passent \u00e0 proximit\u00e9.
\nPuis arrivent d\u2019autres voix.
\n**Alana chante les hiboux.**
\n**Ayla et les hiboux chantent.**
\nL\u2019enfance entre alors dans l\u2019album avec sa mani\u00e8re directe de rencontrer le monde. Les hiboux, les chauves-souris, la pluie, la nuit deviennent des pr\u00e9sences musicales. Une voix d\u2019enfant suffit parfois \u00e0 d\u00e9placer toute la perspective : le paysage recommence \u00e0 parler.
\nL\u2019album avance ainsi comme une constellation d\u2019exp\u00e9riences : chanson, r\u00e9cit, voix enregistr\u00e9es, paysages sonores, Langage Vivant, musique ADN, kairophonie, fran\u00e7ais, anglais, langues multiples, improvisation et composition.
\nCarlos Chapman d\u00e9veloppe cette musique comme une cr\u00e9ation hybride. Sa voix, son \u00e9criture et ses prises de son rencontrent instruments, montage, traitements num\u00e9riques, syst\u00e8mes g\u00e9n\u00e9ratifs et outils contemporains de composition. Chaque technologie devient une mati\u00e8re parmi les autres, au m\u00eame titre qu\u2019une pierre frapp\u00e9e par l\u2019eau, une respiration, une phrase improvis\u00e9e ou le chant d\u2019un enfant.
\n\u00c0 travers Radio du Futur, cette recherche suit une m\u00eame question :
\nqu\u2019est-ce qui devient audible lorsque nous prenons le temps d\u2019\u00e9couter ce qui circule d\u00e9j\u00e0 ?
\nUne boussole.
\nUn r\u00eave.
\nUne goutte.
\nUne pierre.
\nUne s\u00e8ve.
\nUne voix.
\nPuis une autre voix lui r\u00e9pond.
\nEt la musique commence.<\/p>\n","protected":false},"excerpt":{"rendered":"
### Pr\u00e9sentation de l\u2019album Cet album commence comme une orientation. Quelque part entre **\u6307\u5357\u9488 \u2014 The Compass** et un r\u00eave qui semble avoir pr\u00e9c\u00e9d\u00e9 le monde \u2014 **The Dream Was Already World** \u2014 une direction appara\u00eet. Elle passe par l\u2019eau, les pierres, les arbres, les voix, les langues et cette pulsation presque imperceptible que **Le […]<\/p>\n","protected":false},"author":1,"featured_media":1733,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-1732","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musique"],"jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/radiodufutur.com\/index.php\/wp-json\/wp\/v2\/posts\/1732","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiodufutur.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiodufutur.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiodufutur.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radiodufutur.com\/index.php\/wp-json\/wp\/v2\/comments?post=1732"}],"version-history":[{"count":0,"href":"https:\/\/radiodufutur.com\/index.php\/wp-json\/wp\/v2\/posts\/1732\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiodufutur.com\/index.php\/wp-json\/wp\/v2\/media\/1733"}],"wp:attachment":[{"href":"https:\/\/radiodufutur.com\/index.php\/wp-json\/wp\/v2\/media?parent=1732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiodufutur.com\/index.php\/wp-json\/wp\/v2\/categories?post=1732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiodufutur.com\/index.php\/wp-json\/wp\/v2\/tags?post=1732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}